Recently, Tianjin Peking Opera actor Liu Guijuan’s Weibo on the Beijing opera “Ding Cuitou†has recently caused great controversy. In Weibo, she showed the "Ding Cuitou" that the troupe equipped with, and said that the point is that the feathers are taken from 80 kingfishers, worth hundreds of thousands of yuan. This Weibo has made many ordinary people who did not understand Beijing Opera suddenly discover that the beauty of the quintessence of the country has hidden the cruel practice of "live birds and take hair", so they immediately attacked it, and triggered a "point of quintessence and environmental protection." The battle of Cui. Point green and filigree inlays are legends that can never be copied in the history of world jewelry. They belong to China and are treasured in the treasure house of the Forbidden City on both sides of the Taiwan Straits. As early as a thousand years ago, they have become the magical craftsmanship of the royal pearl. These skills, which are gradually forgotten in the wheel of history, have been given a new life by craft masters in Taiwan and the mainland. Over the past few years, Taiwanese jewellery designers have mixed enamel and colored gems, which have appeared in the mainland jewellery industry and attracted many jewellery lovers. The filigree inlay is listed in the national intangible cultural heritage, and this royal skill is on the road to recovery. At this Kaohsiung International Jewelry Show, Shanghai Perrin Jewelry has crossed the strait with a "filigree inlay", hoping that it will reunite with the "Sisters" of the spot, combining the minerals of Taiwan's minerals, blue chalcedony, and Taiwanese jade to promote the two legendary skills. Cooperation. Point Cui, write jewelry crafts with life From the point of view of the material, it is defined as the main material of the kingfisher feathers. Cui, the feather of a kingfisher. Cui Yu, because of the refraction, the emerald color, shiny, bright and beautiful feathers are therefore well-known. From a process point of view, the point green technology combines the traditional metal craft and feather craft in China. As the name implies, the point green is a process of decorating gold and silver jewelry with the feathers of kingfisher. First, use the metal of gold, silver, copper or gilt to make different patterns of the bottom, and then cut the bright blue feathers on the back of the kingfisher with the shape and stick it on the metal support to make the jewellery with different shapes. Beautiful and beautiful, contrasting and beautiful. Although Diancui is only one of the traditional gold and silver jewellery making techniques in China, it is only a kind of auxiliary work in jewellery making, but the degree of adoration of gold and silver ornaments is amazing. Jewelry finished with the craftsmanship, the gloss is good, the color is gorgeous, and it never fades. This kind of feather embellishment technology, the decoration technology was first seen in the Han Dynasty, but it was popular in the Ming and Qing Dynasties, and it continued to develop and improve. It reached its peak during the Qianlong period. Since the ancient emperor's clothing accessories, phoenix crowns, etc., the use of kingfisher bird feathers as a decoration, after a long period of time is still shiny as new, bright and shiny. The palace jewellery manufacturing process popular in the Ming and Qing Dynasties, through the re-innovation of Taiwanese jewellery designers, blends the Western and Oriental jewellery styles, and makes the ancient craftsmanship of the point green a new vitality. Filament inlaid, complex and exquisite royal art Filament inlay is one of China's intangible cultural heritage. It is also called fine gold craft. It is made by drawing gold, silver and copper into filaments and using techniques such as stacking and weaving. Inlaying is to make a piece of gold and silver into a vessel, then pull out the pattern, or use a crossbow to pull out the pattern and set it with precious stones. China's filigree inlay process appeared in the early spring and autumn period, and reached the superb artistic level in the Ming Dynasty. The golden crown, phoenix crown and all kinds of jewellery produced by the Beijing Banking Bureau in the Ming Dynasty have reached a high level of art. Ming Dynasty artists can weave gold ornaments with extremely fine gold wire, without any joint marks on the surface, even gaps, and even thin as light yarn. In the Qing Dynasty, the filament inlay process was further developed, the division of labor was finer, and the production was gradually advanced. The whole industry is divided into 11 majors: implementation, inlay, simmering, simmering, burning blue, point green, gold, plating, wire drawing, beading and so on. The style of the gold and silver crafts of the Qing court was different from that of the Ming Dynasty. The decoration was more complicated and complicated. The famous products continued to emerge, and many of them have become national treasures. The Jinyi Yonggu Cup, the silver six-square potted golden peach tree bonsai, the gold-embedded jewels toward the crown, the "Golden Branch and Jade Leaf" large bonsai, the "point green flower and bird" large hanging screen, the silver burning blue "Helu Tongchun", etc. They are all craftsmanship of this period. In 2008, after the State Council officially incorporated the “filigree inlaying craftsmanship†into the national intangible cultural heritage protection project, the craftsmen returned to the filigree inlay industry and devoted themselves to the inheritance and development of filigree inlay technology, giving this a long history. With the palace craftsmanship with Chinese characteristics, it regains its vitality. It is believed that this traditional craft is combined with modern business models and blended with international popular elements. This ancient craft is bound to lead the way of revival. Rayon Crepe Fabric,Rayon Challis Fabric,Rayon Dobby Fabrics,Fuli Crepe Dobby Fabric Shaoxing Shenwang Trading Co., Ltd , https://www.swcientex.com
