The Artistic Characteristics of the Porcelain in the Song Dynasty
The enamel of the Song Dynasty stood out as a backdrop for the "Dingzhou white porcelain with awns, which could not be used, killing a kiln in Ganzhou." Since it is the needs of the court, it is of course exquisite. From the perspective of Song Song, it is indeed as follows:
In terms of styling, the enamel ware of the Song dynasty was shaped by utensils such as flowerpots, receptacles, bottles, washing, cups, bowls, statues, bowls, pots, plates, pots, and stoves. Among them, flowerpots used for flower cultivation are mostly followed by washrooms and pots of cultural articles, and once again they are aesthetically pleasing, immortal, ancestral bottles, statues, stoves, and tripods. These three types of works have been From simple daily necessities to spiritual needs, the function of enamel is dedicated to aesthetic needs, highlighting an “elegant” taste.
In terms of glaze color, the porcelain enamel of the Song Dynasty showed a variety of features, which is also its unique personality. In addition to the main colors of azure, moon white, there are rare rose purple, red jellyfish, agate red, light green, green beans, sky blue and so on. The appearance of the glaze rewrites the history of blue and white porcelain dominating the world, so it is also called creation. This is one of the greatest contributions made by porcelain enamel to the ceramic industry.
The enamel of the Song dynasty was lustrous, subtle and opaque, with a beautiful and elegant aesthetic. The aesthetic experience of "like jade, non-jade, and better than jade" made it a royal object. It shows the quality of the national art of nudity that is not broken, and the temperamental quality of Wenwenerqian.
In the Song Dynasty, the enamel foot had the most personality. Apart from the ring foot, the foot used more ruyi beasts to deal with it, implicating the Taoist tradition of cultivating evils in the town house, and at the same time it contained the good wishes of Tian Tongshou. The number of feet is three feet, which means that the heaven and the earth are united in their trinity and trinity, and they pursue the realm of harmony between man and nature.
From the aspect of the firing process, it has already possessed the technological features of current enamel firing, the secondary burning process of solid burning of the carcass, and the glaze burning color. This can be found in the ruins of the Yuguan Kiln. In terms of glazing, it also shows that the soles of the feet are covered with glazes, which are fired on the soles of the feet. This is a common feature of the five historical porcelains and is one of the hallmarks of the imperial porcelain.

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